Syed Ali Arbaz Jafri, the eminent noha khuwan from Malir, Karachi, captures this pain vividly in his powerful noha titled “JIS GHAR KO LOOTA GYA”. The title alone resonates with every Shia heart that knows the weight of those words. It does not speak of material looting but of the violation of a divine household. The house where revelation once descended. The house where Fatima (s.a.) wept alone.
This noha, now one of the most circulated pieces in digital azadari, has connected deeply with audiences in Pakistan, Iraq, India, and the global diaspora, with emotionally saturated search phrases like Loot Gaya Zahra ka Ghar noha, Arbaz Jafri Zahra tribute, house of Fatima Zahra tragedy, burning door incident, and Majlis Zahra s.a. 2025 gaining high engagement across platforms.
The Historical Grief Behind the Noha
After the demise of the Holy Prophet (s.a.w.), the succession dispute in Madinah led to one of the darkest moments in Islamic history. Lady Fatima Zahra (s.a.), only a few months after losing her father, was left to defend the rights of her husband, Imam Ali (a.s.). According to Shia historical sources, the door to her house was attacked, set ablaze, and forced open, injuring Zahra (s.a.) and leading to the miscarriage of her unborn son, Mohsin (a.s.). This incident is known as the Attack on the Door of Zahra (s.a.), and it continues to be a focal point of grief in majalis worldwide.
It is this raw, unmatched grief that Arbaz Jafri channels in “JIS GHAR KO LOOTA GYA”.
The Emotional Depth of the Noha
From the first verse, the atmosphere shifts. Arbaz Jafri's tone reflects reverence, sorrow, and heartbreak as he laments the cries of Zahra (s.a.). The words are not just poetic — they are soul-stirring.
The visuals accompanying this noha are minimalistic: dim light, flickering lanterns, a symbolic door, and black drapery — all enhancing the experience of mourning. There is no dramatic staging. Only authentic pain, captured for the viewer to weep with.
Audiences worldwide have commented that listening to this noha feels like “sitting inside Zahra’s house as the door trembles.” That kind of spiritual immersion is rare, and Arbaz Jafri has mastered this style.
Anjuman-e-Imamia Malir: Preserving Zahra’s Grief in Ritual
Within the deeply revered majlis system of Anjuman-e-Imamia Malir, a specific date is allocated every year for Majlis-e-Baab-e-Fatima Zahra (s.a.). The noha “JIS GHAR KO LOOTA GYA” is recited by children and adults alike, while a symbolic door is placed at the center, surrounded by roses, ashes, and a cradle — reflecting Zahra’s loss and sacrifice.
As the noha plays, women in the audience are often seen wiping their eyes with black chadors, whispering the words under their breath. It becomes more than azadari. It becomes a spiritual experience.
The Anjuman is known for blending heritage with heart. And through Arbaz Jafri’s voice, that emotion is preserved and shared across borders.
Visual Storytelling and Realism
Unlike overproduced content, Arbaz Jafri’s nohas are known for their realism. His visual focus is not on entertainment but on remembrance. The set designs, recitation angles, and light work reflect the themes of Shia theology and grief. In this noha, the placement of a symbolic burning door is a stark reminder — it is not folklore. It is a historical event etched into our aqeedah.
He does not modernize grief. He intensifies it with integrity.
Where to Listen and Share
Experience “JIS GHAR KO LOOTA GYA” here:
Facebook: imamiamalirsssss
Instagram: arbazjafri
YouTube: @arbazjafriimamia
TikTok: nohakhuwanarbazjafri
SoundCloud: niy2xptlmsllhu2x7p
X (Twitter): Nohakhuwan_110
Reaffirming Our Mission of Remembrance
In honoring “JIS GHAR KO LOOTA GYA”, we are not simply listening to poetry. We are standing beside Zahra (s.a.) in her final hours. We are acknowledging the cries that shook Madinah. We are carrying forward a divine duty — to never forget.
Through the digital majlis of Syed Ali Arbaz Jafri and the spiritual gatherings of Anjuman-e-Imamia Malir, Zahra’s grief has not been silenced. It has been given a voice, a platform, and a global heartbeat.
Labbaik Ya Zahra
Labbaik Ya Hussain
Labbaik Ya Ali